"I don't want realism. I want magic!" - Blanche Dubois in "A Streetcar Named Desire"
⦿
"O God, I could be bounded in a nut shell and count myself a king of infinite space, were it not that I have bad dreams." - Hamlet Act II scene ii
"I don't want realism. I want magic!" - Blanche Dubois in "A Streetcar Named Desire"
⦿
Just four miles out of Sheffield, Hathersage is a substantial village set in the lovely shelter of The Hope Valley. St Michael's Church is located just outside the main village - a brisk walk away. Famously, the churchyard contains the grave of Robin Hood's loyal lieutenant - Little John whose cottage was close by.
Above, I spotted that lone daffodil when I was perusing the graves in the churchyard extension. I guessed that I could achieve an eye-catching image with the church spire and an old yew tree as the scenic backdrop. Though I say it myself, I think it worked.
⦿
At one thirty this afternoon, I set off walking to the city centre. It is about two miles from our house. I opted to walk purely for the exercise. Along Psalter Lane, down Cemetery Road then under the inner circular road.
My destination was The Showroom Cinema. The film I had in mind was "Flow" as recommended by John Gray over at "Going Gently". "Flow" won the Best Animated Film Feature award at this year's Oscars, becoming the very first Latvian film to win any kind of oscar.
There are no human voices in "Flow". No words. But we do hear the wordless voices of the nameless central characters - a cat, a lemur, a secretarybird, a Labrador dog and a capybara.
They find themselves together in an old boat, sailing over a flood which keeps rising - inundating most everything. There is incidental music which enhances the action and is never obtrusive. Later, the flood subsides and they are back on terra firma.
There is joy in "Flow" as well as terror. It was meticulously crafted. At times, the visuals are breathtaking but I noticed that the animals never seemed to get wet even when they had been swimming in the flood. Was that a purposeful choice or a technical challenge too far for the animators?
"Flow" has a magical, very beautiful quality about it and it is easy to get lost in the artifice. Is it about anything? Does it have a purpose? Why was it made? I am not sure that I could answer any of these questions but what I can say is that it provides a unique cinematic experience. I guess that you just have to go with the flow of "Flow".
I stood in the middle of Ecclesall Road and watched them coming up the hill. Great waves of competitors and I was struck by the obvious realisation that each one of those runners was different from the next. Tall and short, fat and thin, male and female, black and white, young and old, dressed in running gear or dressed like bananas. On and on they came, their feet thundering on the tarmac.
Amongst them was our forty year old son, Ian. He had travelled up to Sheffield for his mother's birthday and decided to squeeze in this half marathon as extra preparation for The London Marathon at the end of next month. He is not a competitive runner but his training has been building well and he finished in the middle of the field today.